Various Ensembles
- A la Campagne (compilation programme Leonce Peret) : arrangements for piano and soprano
- Sangue Blue (with Francesca Bertini, 1914) : arrangement for piano and soprano
- The Black Pirate (D. Fairbanks, 1926) : composition /arrangement for piano, accordion and percussion
- Underworld (J. von Sternberg, 1927) : composition, improvisation for piano solo
- Rien que les Heures (Cavalcanti, 1926) : original score for violin, cello and piano restored by Maud Nelissen
- Cinéma perdu programme (Mélies,Peret): composition /arrangement for piano and soprano (recorded for Dutch Television)
- Sangue Blue (with Francesca Bertini, 1914) : arrangement for piano and soprano
- Festival cinema muto di Vogogna, together with Eric James (arranger of Chaplin) pre programme : Disney, Chaplin, Laurel and Hardy, Méliès etc.
- The Overcoat (Trauberg/Kozintsev, 1926) : composition /arrangements for piano, violin, cello, percussion
- Down in the Deep (Méliès) : composition for string orchestra
-
George Melies Alice films, Koko the Clown and other Cartoons : composition for jazz/classical ensemble: clarinet, bass, piano, percussion/effects
- The Immigrant (Chaplin, 1917) : composition /arrangement for piano solo
- The Rink (Chaplin 1916) : composition/arrangment for pianosolo
- The Cure (Chaplin 1917) : composition/arrangment for pianosolo
- Easy Street (Chaplin 1917) : composition/arrangment for pianosolo
- Zapata’s Bande (Gad) ( with Asta Nielsen) : piano,violin,sopranosaxophone,double bass,mandoline,percussion
- Der Fremde Vogel (Gad) ( with Asta Nielsen) : piano, violin, sopranosaxophone, double bass, mandoline, percussion
- La Belle Dame sans Merci (Germaine Dulac, 1920) : arrangements, score compilation for piano, soprano and bariton
- La Folie des Vaillantes (G.Dulac) score for violin and piano
- La Souriante Madame Beudet (G.Dulac) score for violin, cello and piano
- L”Invitation au Voyage (G. Dulac,) score for violin, cello and piano
Orchestra da Camera Oscura
- The Patsy (King Vidor, 1928) : Score for Late Twenties “Dance Orchestra”: three saxophones, clarinet, trumpet, trombone, piano, violin, viola, cello, bass, percussion
- The Merry Widow (Erich von Stroheim,1925) 2 violins, viola, cello, doublebass, trumpet, sopranosaxophone, accordeon, piano, percussion
Sprockets
- The Rink (Chaplin, 1916)
- One Week (Buster Keaton, 1920) : Billy Blaze (Harold Lloyd, 1919)
- Big Business (Laurel & Hardy, 1929)
- Liberty (Laurel & Hardy, 1929)
- Cops (Buster Keaton, 1922)
- Le Locataire Diabolique (Méliès, 1909)
- La journée d”une paire de jambes (Gaumont, 1909)
- Le songe d”un garçon de café (Cohl, 1910)
- Onésime et le coeur du tzigane (Durand, 1912)
- Easy Street (Charlie Chaplin 1917)
-
Fantasmagorie, Emile Cohl Le peintre néo-impressionniste (Emile Cohl, 1910)
- Bout-de-Zan vole un éléphant (Louis Feuillade, 1913)
- Football (Dick Laan, 1927/28)
- You”re Darn Tootin” (Laurel & Hardy, 1928)
- La Poule Merveilleuse
- Steamsensations (compilationprogram about trains)
- “It” (Clarence Badger, 1927)
- Kiriki (Pathé Frères, 1907)
- The Paleface (Buster Keaton, 1922)
Speciale Producties
- Terug naar de Toekomst (2003): composition for two saxophones, flute, piano, bass, percussion
- Domzien in Verwondering (2004): composition for two saxophones, piano/organ, bass, percussion, Carillon and Churchbells
In Voorbereiding (voor de Sprockets)
- The Immigrant (Charlie Chaplin, 1917)
- The Cure (Charlie Chaplin, 1917)
- Alice and the Firefighters (Walt Disney, 1924)
- L”Invention de Lichetout (Eclair, 1911)